{"id":25639,"date":"2019-01-13T21:06:12","date_gmt":"2019-01-13T18:06:12","guid":{"rendered":"http:\/\/www.revolvia.com\/?post_type=mmg_articles&p=25639"},"modified":"2019-01-13T21:06:12","modified_gmt":"2019-01-13T18:06:12","slug":"osmanli-doneminden-6-000i-askin-fotograf-internette-erisime-acildi","status":"publish","type":"mmg_articles","link":"https:\/\/www.revolvia.com\/en\/mmg-article\/osmanli-doneminden-6-000i-askin-fotograf-internette-erisime-acildi\/","title":{"rendered":"Osmanl\u0131 d\u00f6neminden 6.000\u2019i a\u015fk\u0131n foto\u011fraf internette eri\u015fime a\u00e7\u0131ld\u0131"},"content":{"rendered":"

Frans\u0131z koleksiyoncu Pierre de Gigord, 1980\u2019lerde T\u00fcrkiye\u2019ye yapt\u0131\u011f\u0131 seyahatlerde, farkl\u0131 formatlarda binlerce Osmanl\u0131 d\u00f6nemi foto\u011fraf\u0131 toplad\u0131. Getty Research Institute ise Pierre de Gigord Koleksiyonu\u2019ndan 19. ve 20. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda \u00e7ekilmi\u015f foto\u011fraflar\u0131n yakla\u015f\u0131k 6.000\u2019ini dijital hale getirerek bu foto\u011fraflar\u0131\u00a0internete a\u00e7t\u0131<\/a>. Foto\u011fraflar \u00fccretsiz olarak indirilebiliyor.<\/p>\n

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Emin\u00f6n\u00fc Meydan\u0131 ve Yeni Cami, 1850-1958<\/em><\/p>\n

Ekran ba\u015f\u0131nda zaman yolculu\u011fu<\/h2>\n

Pierre de Gigord Koleksiyonu; Osmanl\u0131\u2019n\u0131n mimarisini, kent ve do\u011fa manzaralar\u0131n\u0131, binlerce y\u0131ll\u0131k arkeolojik alanlar\u0131 ve 100 y\u0131ldan daha uzun bir s\u00fcre \u00f6nce ya\u015fam\u0131\u015f insanlar\u0131n ya\u015famlar\u0131ndan kesitleri belgeliyor. Dijital ar\u015fiv projesi, a\u011f\u0131rl\u0131kl\u0131 olarak 19. y\u00fczy\u0131ldan I. D\u00fcnya Sava\u015f\u0131\u2019na kadar olan foto\u011fraflara odaklanm\u0131\u015f ve 3.750 farkl\u0131 dijital dosya kayd\u0131 yap\u0131lm\u0131\u015f.\u00a0Uzun panoramalardan, cep boyutundaki foto\u011fraflara ve cam negatiflere kadar \u00e7ok farkl\u0131 t\u00fcrde foto\u011fraf\u0131n dijitalle\u015ftirilmesi farkl\u0131 zorluklarla kar\u015f\u0131la\u015f\u0131lmas\u0131na neden olmu\u015f.<\/p>\n

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\n\u0130stanbul sokaklar\u0131ndan bir g\u00f6r\u00fcn\u00fcm, 1850-1958<\/em><\/p>\n

Dijital ar\u015fiv, Pierre de Gigord Koleksiyonu\u2019nun ilk 8 serisini dijital ortama ta\u015f\u0131m\u0131\u015f.\u00a0Koleksiyonun\u00a01. ve 2. serisi<\/a>\u00a064 farkl\u0131 alb\u00fcmden olu\u015fuyor. Koleksiyonun\u00a03. serisi<\/a>\u00a0Gigord\u2019un konuma veya t\u00fcre g\u00f6re grupland\u0131rd\u0131\u011f\u0131 2500\u2019e yak\u0131n bask\u0131dan olu\u015fuyor.\u00a04. seride<\/a>\u00a0\u0130stanbul manzaralar\u0131ndan olu\u015fan 12 adet panorama yer al\u0131yor. Gigord koleksiyonunun son iki b\u00f6l\u00fcm\u00fc (9. seri<\/a>\u00a0ve\u00a010. seri<\/a>) dijitalle\u015ftirilememi\u015f ve b\u00f6ylece dijital ar\u015fiv projesinin kapsam\u0131 d\u0131\u015f\u0131nda kalm\u0131\u015f. Bu b\u00f6l\u00fcmler; Osmanl\u0131 Devleti\u2019nin modernle\u015fmesini ve T\u00fcrkiye Cumhuriyetine ge\u00e7i\u015fini belgeleyen bas\u0131n foto\u011fraflar\u0131 ile foto\u011fraf st\u00fcdyolar\u0131ndaki ar\u015fivler. Bu foto\u011fraflar ancak, t\u00fcm Gigord koleksiyonunun orijinal foto\u011fraflar\u0131n\u0131n korundu\u011fu Los Angeles\u2019taki Getty Ara\u015ft\u0131rma Enstit\u00fcs\u00fc \u00d6zel Koleksiyonlar\u0131n\u0131 ziyaret ederek g\u00f6r\u00fclebiliyor.<\/p>\n

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\nGalata K\u00f6pr\u00fcs\u00fc, 1850-1958<\/em><\/p>\n

Standart dijitalle\u015ftirme uygulamalar\u0131na uygun olarak, alb\u00fcmde yaln\u0131zca sayfa sayfa de\u011fil, ayn\u0131 zamanda tek tek foto\u011fraflarla ilerlemek m\u00fcmk\u00fcn. B\u00f6ylece ziyaret\u00e7i, g\u00f6r\u00fcnt\u00fcleri kolayca yak\u0131nla\u015ft\u0131r\u0131p detaylar\u0131 inceleyebilir. Ba\u015fl\u0131klar\u0131n kolay takip edilebilir bir \u015fekilde yerle\u015ftirilmi\u015f olmas\u0131 ve foto\u011fraflar\u0131n \u00f6zenle bir araya getirilmesi ziyaret\u00e7inin i\u015fini kolayla\u015ft\u0131r\u0131yor.<\/p>\n

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\n\u0130stanbul, 1868<\/em><\/p>\n

Pierre de Gigord Koleksiyonu bilim insanlar\u0131n\u0131n hizmetinde<\/h2>\n

Bilim insanlar\u0131; T\u00fcrk mimarisi, arkeoloji ve eski eserler, Bizans ve \u0130slam sanat\u0131 ve foto\u011fraf\u00e7\u0131l\u0131k tarihi gibi bir\u00e7ok farkl\u0131 disiplinde ara\u015ft\u0131rma yapmak i\u00e7in \u00e7oktan Gigord Koleksiyonu\u2019ndan faydalanmaya ba\u015flam\u0131\u015f.<\/p>\n

19. ve 20. y\u00fczy\u0131l\u0131n g\u00fcnl\u00fck ya\u015fam\u0131na, o d\u00f6nemin insanlar\u0131n\u0131n ya\u015fay\u0131\u015f\u0131na dair pek \u00e7ok \u015feyi foto\u011fraflarda g\u00f6zlemlemek ve bug\u00fcnle k\u0131yaslamak m\u00fcmk\u00fcn. Foto\u011fraflara bakt\u0131k\u00e7a baz\u0131 \u015feylerin nas\u0131l da de\u011fi\u015fti\u011fini ve baz\u0131 \u015feylerin nas\u0131l da ayn\u0131 kald\u0131\u011f\u0131n\u0131 g\u00f6rebiliyoruz.<\/p>\n

Koleksiyon dahilinde 165\u2019i a\u015fk\u0131n foto\u011fraf\u00e7\u0131n\u0131n, st\u00fcdyonun ve yay\u0131nc\u0131n\u0131n foto\u011fraflar\u0131 yer al\u0131yor. Foto\u011fraf\u00e7\u0131lar aras\u0131nda Ali Sami Ak\u00f6zer, Pierre Tr\u00e9maux, Abdullah Fr\u00e8res, G\u00fclmez Fr\u00e8res, Guillaume Berggren, Pascal S\u00e9bah, M. Iranian, Nikolia Andreomenos, Apollon, Hippolyte Arnoux, F\u00e9lix Bonfils, Ernest de Caranza, Jules Delbet, Roger Fenton ve Claude-Marie Ferrier gibi isimler yer al\u0131yor.<\/p>\n

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\n\u00c7obanlar, 1870<\/em><\/p>\n

\"\"
\nKanepede uzanan kad\u0131n, 1900<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Getty Research Institute, Pierre de Gigord Koleksiyonu i\u00e7inden 6000\u2019i a\u015fk\u0131n Osmanl\u0131 d\u00f6nemi foto\u011fraf\u0131n\u0131 dijital ar\u015five ta\u015f\u0131d\u0131.<\/p>\n","protected":false},"author":13,"featured_media":25640,"template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"class_list":["post-25639","mmg_articles","type-mmg_articles","status-publish","has-post-thumbnail","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["tr","en"],"languages":{"tr":{"title":true,"content":true,"excerpt":true},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/mmg_articles\/25639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/mmg_articles"}],"about":[{"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/types\/mmg_articles"}],"author":[{"embeddable":true,"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/users\/13"}],"version-history":[{"count":0,"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/mmg_articles\/25639\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/media\/25640"}],"wp:attachment":[{"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/media?parent=25639"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revolvia.com\/en\/wp-json\/wp\/v2\/tags?post=25639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}